Mousse Contemporary Art Magazine

• Beijing Oomph 2026

  Beijing Oomph 2026 is a curated roundup of the best contemporary art exhibitions held by galleries and institutions across the city, coinciding with Beijing Dangdai and Gallery Weekend at the end of May. Zhi Wei “Folly” at Beijing CommuneIt seems everyone nowadays partakes in the conveniences afforded by the internet. Within this process, an inseparable

• Gedi Sibony “The Invisible Point” at Greene Naftali, New York

  From the artist: This process is adaptive, powered by an intuitive momentum, and organized through allegorical structure. Objects crafted from remnants and castoffs aggregate toward the center of the room. In the background, landscapes depict interacting beings, emerging out of the conditions and simultaneously appearing to create the conditions. The extended space of objects and

• Mark Manders at Tanya Bonakdar Gallery, New York

  For his sixth solo exhibition with the gallery, Mark Manders presents new work ranging from monumental bronze busts to abstract sculptural landscapes and discrete paintings and works on paper. Dreamlike and fragmented, these new pieces populate the gallery like a series of thoughts to which the artist gave form and then froze in time. Experienced

• Ieva Lygnugarytė “Carmen: Utopias of Belonging” at Oratorio dei Crociferi, Venice

  Carmen: Utopias of Belonging is a video installation by artist Ieva Lygnugarytė that reactivates a little-known story from the early sixteenth century. In 1523, the poet Nicolaus Hussovianus wrote Carmen de Statura, Feritate ac Venatione Bisontis. As a diplomatic gesture, the Grand Duchy of Lithuania intended to send this poem together with a straw-stuffed European bison to